music: january 26

A year ago, David Lynch passed away. I recently came across this quote:

"The world is as you are." And I think films are as you are. That's why, although the frames of a film are always the same – the same number, in the same sequence, with the same sounds – every screening is different. The difference is sometimes subtle but it's there. It depends on the audience. There is a circle that goes from the audience to the film and back. Each person is looking and thinking and feeling and coming up with his or her own sense of things.

– David Lynch, Catching the Big Fish

The same is true for music. When you listen, you don't receive a finished object – you participate in it. Your thoughts and memories and moods add a layer on top, and the work becomes partly yours. I wrote about the concept of listening as creation last month.

With that said, here are some tracks from January. Go out and create.

I have no idea where this will lead us, but I have a definite feeling it will be a place both wonderful and strange.

– Dale Cooper, Twin Peaks

Red room

Roadhouse

  • Track: Joy Orbison – Hyph Mngo (landmark track from 2009, post-dubstep, Pitchfork 9/10, elegant pads, wish to hear it on loud speakers one time, crazy to think that this was Joy Orbison's debut and it is just such a massive track)
  • Track: Paul Rogers – Krafty (progressive house, builds slowly and steadily, big beaty break in the last third; shared by a close friend, thanks E.K.)
  • Tracks: Blocks & Escher – Charm / All That Glitters (cinematic drum & bass, long intros, soft pads, strings, guitars, vocals; Charm is 11 minutes but time flies when you're moving)
  • Track: Tal Fussman – Sea of Blue (house, rolling groove, high energy, built for the dancefloor)
  • Track: Dold – Horizon (Mikkel Rev Motion Mix) (the original sits at the crossroads of ambient, IDM, electro, loopy techno – this mix adds clear trance motion)

Thanks for reading, listening and co-creating!